Name

Tod Holcomb

Profession

Music Engineer,Editor and Mixer for Film and Television

Company

Shaggy Dog Studios

Memberships, Affiliations, Unions

MPESG. MPSE, NABIT, IBEW, ASCAP, BMI

Location

Hollywood, California

Birthday

September 4th, 1964

LinkedIn Address

http://todholcomb@linkedin.com

Facebook Address

http://todholcomb@facebook.com

Resume (Position, Network/Production Company, Year, Location, & Description) - you can cut and paste your resume here

Tod Holcomb
506 North Poinsettia Place
Los Angeles, California 90036


e-mail: todholcomb@yahoo.com Cell: 213-249-5782

website: http://www.mentat.com.au/Projects/Tod/


Music Editor/Assistant Editor/Digital Editing Consultant: 1996 to present

FILM DIRECTOR COMPOSER
“SCRUBS” (TV series) Bill Lawrence Jan Stevens
“THE GOOD GIRL” Miguel Arteta Joey Waronker(REM)
“THE SHAPES OF THINGS” Neil LaBute Elvis Costello
“I AM SAM” Jessie Nelson John Powell
“HARDBALL” Brian Robbins Mark Isham
“EVOLUTION” Ivan Reitman John Powell
“15 MINUTES” John Herzfeld Anthony Marinelli
“CQ” Roman Coppola Mellow
“DUNGEONS AND DRAGONS” Courtney Solomon Justin Burnett
“THE TICK” Barry Sonnenfield Steve Bartek
“BEDAZZLED“ Harold Ramis David Newman
“NEXT BEST THING” John Schlesinger Gabriel Yared
“28 DAYS” Betty Thomas Richard Gibbs
“GUN SHY” Eric Blakeney Rolf Kent
“FLINTSTONES-VIVA ROCK VEGAS” Brian Levant David Newman
“NURSE BETTY” Neil LaBute Rolf Kent
“GRAPEVINE” David Frankel Jan Stevens
“THE INSIDER” Michael Mann LisaGerrard/GraemeRevell
“INSPECTOR GADGET” David Kellog Marc Shaiman
“MESSAGE IN A BOTTLE” Luis Mandoki Gabriel Yared
“MOD SQUAD” Scott Silver B.C. Smith
“URBAN LEGEND” Jamie Blanks Christopher Young
“A SIMPLE PLAN” Sam Raimi Danny Elfman
“THE HORSE WHISPERER” Robert Redford Thomas Newman
“A CIVIL ACTION” Steve Zaillian Danny Elfman
“GIVING UP THE GHOST” Claudia Weill Mader
“THE OUT OF TOWNERS” Sam Weisman Marc Shaiman
“TALES OF THE MUMMY” Russell Mulcahy Stefan Mainetti
“DESPERATE MEASURES” Barbet Schroeder Trevor Jones
“TITANIC” James Cameron James Horner
“ADDICTED TO LOVE” Griffen Dunne Rachel Portman
“THE GAME” David Fincher Howard Shore
“RANSOM” Ron Howard JamesHorner
“KICKED IN THE HEAD” Matthew Harrison Stephen Endelman
“SUBWAY STORIES” Johnathan Demme Mecca Bodega
“SPANISH PRISONER” David Mamet Carter Burwell
“CRASH” David Cronenberg Howard Shore
“PRESENCE OF MINE ENEMIES” Joan Micklin Silver Dead Can Dance
“LOOKING FOR RICHARD” Al Pacino Howard Shore
“BEFORE & AFTER” Barbet Schroeder Howard Shore





Sound One Studios, New York - Senior Sound Editor/Digital Sound Consultant; 1995 - 1997
Assisted in major facility upgrade from analogue to digital mixing consoles, editing workstations and large scale sonic solutions fiber optic network linking all mix stages. As well as re-educating and retraining editors and mixers and machine room staff for the new technology.


Senior Sound Editor:

”The Adventures of Pete and Pete” • “The Ref” • “Who’s The Man” •

“Kids” • “Takemitsu” • “The Rolling Stones’ Rock and Roll Circus”


Dialogue Editor:

”MARVIN’S ROOM” – director: Jerry Zaks

“BEAUTIFUL GIRLS” – director: Ted Demme

“THE CAPTURE” – director: Carl Flovin


Senior Sound Supervisor/On-Air Mixer: 1992 – 1996

• “NBC ’96 Atlanta Summer Olympics” - Received an “Emmy” for On-Air mixing. (6 weeks in New York)

• “NBC ’92 Barcelona Summer Olympics” - Received an “Emmy” for On-Air mixing. (6 weeks in Barcelona)

• "CBS '92 Albertville Winter Olympics"- Received an “Emmy” for On-Air mixing.
(15 months in N.Y./ Albertville)

Freelance Mixer/Editor/Technical Engineer; 1990 -1995
ABC Broadcasting, New York
CBS Broadcasting, New York
NBC Broadcasting, New York
National Video/Sound Studios, New York
Editel Post Production, New York
Mixed Bag of Nuts, New York
DB Sound, New York
Soundhound, New York

Video and Audio Editor/Sound Mixer/Technical Engineer; 1986-1990
Complete Post Production and Graphics, London
625 Post Production (Virgin Atlantic subsidiary), London

525 Post Production, Los Angeles; 1986
Contracted through B&B Systems to help put together a start-up video post production company to include 2 online and 2 offline editing suites, a telecine and a special effects/graphics suite. The drawings were done by B&B and I ran cables, wired patch bays, programmed routers, and performed upgrades and modifications as well check-out and systems timing.

Post Group Post Production, Los Angeles; 1982-1986
Hired temporarily to help with the construction I was soon made permanent in the technical maintenance shop pulling cables and later designing and building edit suites and sound sweetening rooms. I also learned to repair ¾”,beta and 1” machines as well as video and audio mixers and edit control systems. I was responsible for installing one of the largest analogue/digital signal routers in L.A. and requested to sit in on sessions to assist editors and sound mixers.